The Research question that underpins the whole project is:
What difficulties does a classical musician face when improvising and how can these be addressed?
This requires research covering diverse areas:
What are the key aspects of the theory of improvisation and how is this applied practically?
What are the characteristics of a classical training? What elements of a classical training are missing in order to develop the ability to improvise? Are there aspects of a classical training that relate to improvisation?
What methodologies can be used to aid learning within the context of a self development method? What is an appropriate format for the guide? What are the needs of the audience?
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